We have become married to our digital devices, with 62% of the world’s population on social media according to Smart Insights, and some 48% of British teens admit to being addicted to social media (source: University of Cambridge).
As we move towards a society dominated by algorithms, the effects on how we shop, live, work and play must also be examined. Consumers crave convenience and as a result, brands are creating more personalised, AI-driven recommendations. But this comes at a cost, increasing surveillance over our purchases, lifestyles and personal lives.
Another driving force behind the move towards increased technological tyranny is the geopolitical struggle for data control, largely between the US and China. Concurrently, because of this algorithmic dominance, there are concerns about a ‘flattening’ of wider culture. The trend innovation curve, for instance – innovators, early adopters, early majority, late majority and laggards – has been shattered into multiple smaller groups, in turn affecting the creator economy and creativity in general.
This point is further echoed in the 2023 book Technofeudalism by Yanis Varoufakis who argues that we are now at a point at which big tech overlords are extracting value from users through data and free labour, enabled by the rise of cloud computing and AI. According to Varoufakis, for the foreseeable future, we will see a prolonged struggle between big data’s control over the Internet of Things, innovation and novelty.
Over the past 20 years, we have seen the gradual rise of big tech dictating the algorithm, controlling creators’ and small businesses’ social media performance, and subsequently their profits. Tech companies such as Amazon, Uber, Meta and Twitter exploit their users’ data. Facebook provides a free platform for people to connect and share user-generated content; however, it monetises their data and attention through targeted advertising without compensating them. Users essentially work for free by generating valuable data from which Facebook profits.
Kyle Chayka, author of Filterworld, argues that AI-powered algorithms have turned us into passive consumers and homogenised our preferences and interests, and our culture at large.
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